Cast and crew, including Mara, discuss her casting. They speak on her previous work with Fincher in The Social Network, preparations for rehearsal, the physical and emotional changes necessary for the role, the qualities she brought to the role, the difficulties in landing the role, the long-term implications of taking the part, Lisbeth's character traits and background, the creation of a dark and brooding iconic character, including hair design, bleaching the eyebrows, piercing and tattoos, makeup, and costumes, Mara's performance of Lisbeth's physical transformation for the end of the film and an early in the testing phase David Fincher Rooney Mara surreptitiously walked the streets of Los Angels with a mini camera to get a sense of how their burgeoning Salander felt out in the real world. Addtionally, Craig discusses the opportunity to work with great source material and David Fincher. Discussions also include the Blomkvist character, Craig's appeal, and the importance of ...
鲁妮玛拉那股老娘虽然只在你大卫芬奇《社交网络》里演了一个小女友并且也没有很出彩的履历，但老娘就是要演龙纹女不管怎样我一定要演的狠劲真的吓人，莎兰德这个角色可能都没她狠。佩服选角导演和那个鼓励鲁妮玛拉去试镜的阿姨，能看出人畜无害表面下的龙纹女真厉害。
坚持试镜和女主个性契合，服装设计师本人就很朋克，白眉很个性，讨厌变身是真的入戏了；感觉男主就是白左男性视角男女主每人各有40到80件戏服；导演的绑架理论
太好笑了。斯特兰叔：想让演员演得真，要么像拉斯冯提尔那样，吓得他们流露真情，要么像芬奇那样，消磨他们直到不再伪装。常年被冯姐支配的恐惧历历在目哈哈哈哈哈哈哈。鲁妮也是泥塑一把手，说芬奇教育她龙纹女是个如何如何的人她全当耳边风，在她心里“芬奇就是龙纹女
芬奇和玛拉在片场的互动太好磕了、嘤嘤嘤
Cast and crew including Mara discuss her casting. They speak on her previous work with Fincher in The Social Network preparations for rehearsal the physical and emotional changes necessary for the role the qualities she brought to the role the difficulties in landing the role the long-term implications of taking the part Lisbeth's character traits and background the cr...
