Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
不考虑剧情泄底，大概只有欧洲人会如此迷恋行为反差和视觉式暴力，和Catherine Breillat的片子比较，女“性”徒表，冷静残忍而缺乏了美感
·50分钟打真军，荷兰真是开放！演员真牛逼！
吐了……丹麦这样的年轻女孩是不少的——认为身体可以纯粹如物般交换，同时在社会生活中需要政治正确的尊重。导演算是反映现实了，虽然这个现实对中国人有些令人疑惑。
Michael a Danish gangster takes his girlfriend Sascha and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum Turkey. Shopping waterparks barbecuing and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world they exist in a bubble of excess that is governed by Michael’s rules—and ...
真枪实弹的强暴戏让我想吐，但相比之下还是空洞无物的故事更加恶心。现在有种错觉，好像女性导演就可以随便物化女性了一样。我可去你妈了个吧子...
