The film begins with the title Chorokbam filling the screen, which is amazing to see. This is the very moment at which the audience decides to trust this film without hesitation. In terms of how to fill and empty the square frame, the film is bold and skillful. Chorok, meaning green in English, is the color of fate in this movie. The problems of all the family members a hopeless father who works as a night guard, a mother who is completely exhausted with house works, a poor son who works for the disabled and their funeral ceremony are all dominated by the color, green. It is not bright or fancy but dark and scary in some sense. With attractive images and scenes, the film develops a series of worldly episodes of a family up to the level of poetic sentiment of blues and depression. (JUNG Hanseok)
The film begins with the ti
3.5 宽银幕家庭片，构图精致，有点意思。提炼出一种韩国社会的匮乏感，两代人没有爱也没有财产，背景里则是更加残酷的虐猫和上吊绳的诱惑。问题还是缺乏一点有机组织，无论是内容与形式之间还是内容本身。ps 男主简直是韩版威廉·达福
3.5。这几年比较少看到这样全程没有声嘶力竭吼叫，甚至连演员的反应动作和台词都稀缺的韩国片。为此得点个赞。影片挺传神地传达出一股潜藏在世俗庸常卑微琐碎下的焦虑式绝望，以及不得不苟延残喘生命的无奈。不过似乎日常平庸和精神颓丧之间还缺乏那点睛一笔的顺畅内在联系，从这点上看，它还是带着韩国电影独有的“硬拗”特质。题外话，除了说的语言不同，影片中韩国的整体氛围，包括街景和建筑，甚至是室内陈设，都太像任何一...
片头亲手埋葬被虐致死的猫，片尾同样地方的上吊绳，竟然充满了诱惑……
5/10。一改韩国电影多话的毛病，演员的台词和动作做了精简。被开头满屏绿色的摄影震了一下，在漫长无聊的日常中出现了超现实的恶犬怒视，这一刻隐藏的愤怒才得以显现，接着就是在被虐致死的猫的公园有了根上吊绳，死是唯一的出路。
