After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
彼得潘症侯群
不仅电影很文艺，连里面演父母的演员也显得很文艺......后来发现结果那对演员是导演的父母.....
This is what an independent film is!|尽管从头到尾都在回避Mike是在逃避什么问题，不过非常成功地展现出了Mike的困惑，最后才知道导演让自己的父母来演片中的父母角色
影片里的父母就是Azazel Jacobs自己的父母，父亲Ken是个著名的实验电影艺术家，还曾是Art Spiegelman的老师。取景也是在位于TriBeCa的他们居住的Loft里。
亲情固然可贵，但不见得都是动人的。
