In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
有点故事里的故事的感觉，风格像是自拍DV的剪辑啊……不过可能是没有字幕我没有完全看懂……
布莱恩·德·帕尔玛的早期作品，偏点喜剧。别看他的早期作品名气都不大，请来的演员都不简单，这部电影又是由罗伯特·德尼罗主演，这也是他和罗伯特·德尼罗合作的第三部电影了。开头有点《后窗》+《偷窥狂》的意思，接下去却变成喜剧，而后那段“黑人体验”变成DV风格，总之相当怪异。
In this very late 60's irreverent almost anarchic low-budget film Brian De Palma defines more of his strange given Hitchcock-like fascination of voyeurism and attacks the issues of the day. The most prominent of which both cringe-inducing and just plain funny is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know ...
2014088 和《帅气逃兵》一样，属于帕尔玛早期钟情的战争类讽刺喜剧。电影与电视，观众与演员，模糊的界限，其实一切都是自导自演。
第一人称镜头，偷窥狂的自传色彩，社会运动只是自导自演，反对暴力却对暴力本身熟视无睹，道德绑架，人性的讽刺，还涉及了越战。老罗是很有喜剧天赋的，只不过他后期更严肃了，这没有什么可质疑的。最让我耳目一新的是德帕尔马，虽然早期这些作品不出名，不过确实有必要欣赏，一是早期作品最直白的反映了当时斯科塞斯斯皮尔伯格科波拉他们这一代美国导演的电影理解，二是能感受出他真正的个人特点，当时他还不是那个“技法大师”，...
