Somewhere in Berlin. But not just any time, this is here and now. A postman delivers a parcel and, soon afterwards, everything changes. A terrorist attack rocks a family to the core. Maxi – who loses her mother, her brothers and her home – tries to look forward, but is still deeply insecure. Nothing seems to work. Her father Alex is as traumatised as she is. The certainties of the past have been wiped out and the grief that comes with their loss obscures everything. Meeting another young person seems to help Maxi. Karl liberates her from her paralysis and urges her to conquer her fear. He has organised a meeting of European students who are looking for solutions to the catastrophic situation on the continent. The task he assigns Maxi could be the deciding factor in the success of a grand plan. By joining forces with Karl, Maxi is dancing on a knife edge: today in Berlin, tomorrow in Prague, soon in Strasbourg and eventually all over Europe. Je suis Karl – a political takeover.
真的好爱这个导演啊！！
无论是左还是右的极端主义，在现代社会依然有丰沃的存在土壤。
片名取材自7 年前「查理週刊」遭受恐攻後所衍生的「我是查理/我追隨查理」Je suis Charlie運動；但那卻並非該電影Je suis Karl或稱極右歐洲的起點，要回溯至2011年因敘利亞內戰爆發所引發的歐洲難民潮。電影只是對Je suis Charlie的挪用，將視野擺放在2010年後的歐洲新世代，以及反移民極右派的崛起。類似北歐國家極右派的主張訴求，國家文化遭受威脅；事實上以德法為首的歐...
比《明天整个世界》好太多，就是前戏太冗长了。
不好看，看了神经兮兮的，1分打的还嫌多啦
