Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
看睡着了。。。。。
Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village which has seen better times Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years which only his family kno...
作为一部纪录片，有这么多正反打，观感上比较模糊，对于人物和事件也有点难以进入。
#BerlinaleForum 78/100 比利时纪录片Petit Samedi是导演Paloma Sermon-Dai的第一部长片，在一个小时十五分的时间里把镜头对向了一位43岁的男性戒毒者与他的母亲，以及他们生活的那个比利时小村庄。关于亲情的故事，如果讲的真诚，是永远能够打动人的。片子温柔的暖色调，镜头捕捉的日常对话以及这些对话里的小趣味，都让人想起观看《四个春天》时的感动，那段堪比 “回收...
一旦谈到人生，没有人不哀戚的。
