To Max Ophüls this was an assignment (from the UFA), a pure routine job. One hardly recognizes the later Ophüls in this film (shortly made before his masterpiece Liebelei), but still Ophüls made this routine job into a well-paced, stylish and sometimes extremely funny romantic comedy; he probably could not do it any other way. The script is fine with some hilarious dialogue. The use of the surnames of the characters is simple but clever. Having Ophüls in mind the film can also be considered a celebration of happy-go-lucky life: contrasted are those who live an easy going, wine and dine life with those whose narrow-minded life is based on punctuality and mineral water. Maybe that is why the film was banned in 1937: it was considered a film that could endanger public order and national-socialist feelings. Good cast with Heinz Rühmann who shows his natural comic talent at best and Max Adalbert who is very good as the grumpy uncle; supporting cast good as well. Chauvinism makes me want to point out Lien Deyers (as Gina), a fine, charming and attractive actress from The Netherlands who had a successful career in German cinema.
5。这种题材，奥菲尔斯拍不来
故事沒講好，很多情節沒有做足夠的鋪墊。
To Max Ophüls this was an assignment (from the UFA) a pure routine job. One hardly recognizes the later Ophüls in this film (shortly made before his masterpiece Liebelei) but still Ophüls made this routine job into a well-paced stylish and sometimes extremely funny romantic comedy; he probably could not do it any other way. The sc
因为红酒而在莱茵河畔引起的一场小闹剧，两个酒庄因一位很有才华的销售人员而起了小纠纷，男主若要继承遗产必须要戒酒一个月，而故事最后的转折也让人有些惊喜。 莱茵河畔的景色哪怕是在黑白片里也很好看~
马克斯·奥菲尔斯早年导演的一部浪漫轻喜剧，不太出名，他的个人标志性技巧在片中也没有明显体现。这个剧本感觉不算差，影片的节奏还算轻快，不过奥菲尔斯并未制造出较好的喜剧效果，要是交由同时期的刘別谦来导演，不知道是否会点石成金。这部影片在1937年居然还被禁了，不明白纳粹搞什么鬼。
