Marie and Michelle are escaping from a lunatic asylum. Michelle is a tough girl who knows how to survive on the road, but the extremely shy Marie desperately clings to her until Michelle gives in and promises help. The two get into a lot of trouble which puts their friendship to a test. Rollin's lost movie, and lost for a good reason, as the director told in several interviews (one on the British DVD, for example): it was simply so poor no distributor bought it. The director blames this mostly on the scriptwriter. The producer had hired someone to keep the director from continuing with his usual vampire mystery stuff, and that kind of co-operation against each other couldn't work. However, The Escapees has enough magic moments to be worth watching. Especially when people stop talking such as in the ending, or when Marie skates on the ice, imagining she is admired by a crowd, but only Michelle is secretly watching her.
让·洛林不拍吸血鬼，改拍女性主义的在路上故事了。两个精神病院的女孩出逃，路遇认识船员的扒手女，于是寄希望于通往自由的航行。有几个单镜头处理的很洛林：开场草坪上的摇椅和女孩，没来由的一段冰上独舞（溜的挺专业）。回过头来看，洛林的风格基本还是铅黄电影的电光幻影B级味，电影后半段非常拖沓，在一种类似美国色情片的氛围里，一场场的拍各种聚会、聊天，我知道这段是强化女性对自由乌托邦的憧憬，但具体的台词写的乱七...
优柔寡断的法兰西末路狂花～
Marie and Michelle are escaping from a lunatic asylum. Michelle is a tough girl who knows how to survive on the road but the extremely shy Marie desperately clings to her until Michelle gives in and promises help. The two get into a lot of trouble which puts their friendship to a test. Rollin's lost movie and lost for a good reason as the director told in several interviews ...
Laurence Dubas is so charming.
大眼大嘴好强烈，五官大，悲剧感也放大了五倍。一个躁狂，一个自闭，一个惯偷，死了两个，去不了背风群岛了。
