20世纪90年代中期，一个神圣的哈萨克村庄，四名青年正试图找到自己的生活方式。因为他的父亲是一个前任理事，因此扎扎斯不能找到工作。为了帮助结束满足这个男孩在玉米商人的休闲工作。巴拉潘可以唱“Ave Maria”，像钟一样清晰，但是他的同学挑起他用拳头而不是他的声音。 Zhaba漫游关于村庄废墟寻找他可以卖的废金属。他遇到了三名自己年龄偏瘫的男孩，他们离开了附近的家，正在一座废弃的隧道里睡觉。阿斯兰即将接受医学研究，但在说服了女朋友进行堕胎后，他的个性发生了彻底的变化。埃米尔·巴格津（Emir Baigazin）的新作“伤感天使”（Emple Baigazin）的新作“受伤天使”（The Wounded Angel）描述了在大剧烈时期成长的青少年的心情。这部电影标志着一个视觉上惊艳的三部曲的第二部分，关于年轻人及其在一个没有道德标准的世界中的复杂关系。 berlinale 2016
A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016
